I sent the second to newest draft of Bible Con into ScriptSavvy for their April contest. I got my feedback back, I got 56/60 which is on the low end of what their winning scripts normally score (I didn’t win). Based on the feedback, I don’t know that I can get it much higher than that, it’d just be luck of the draw in terms of who the reader was. Still that’s an 8 point (or 13%) improvement over the previous draft I sent in, which could be good for the Nicholl this year as well. There are other things going on with maybe getting it made, but I’m reluctant to even consider those as feasible until they happen.
I’m just going to share many of the lovely things that were said about me.
This “mockumentary” proves to be a very strong concept for a script. It takes a relatable topic and, in a very Christopher Guest kind of way, pokes fun at it without being too mean or snide. The writer does a nice job of building personal relationships in to the overall spoofish story, giving the audience people to cheer for as well as something to laugh at.
The dialog throughout the script is sharp, clever and really well done. It sounds so real and natural that it just pops off the page. The characters have unique voices without going over the top with accents or colloquialisms. It’s really nice to see how wonderfully the writer crafted the dialog to make subtle but distinct differences in the main characters. Any exposition, such as the events of last year’s convention, is stated through natural and usually very humorous dialog.
The writer does an excellent job setting the scenes with vivid but concise descriptions, like Mary’s room, “…looks like a normal teenager’s room. Only Jesusy.” It’s a great shorthand way to tell us all we need to know to fully imagine the scene.
The scenes are very tightly constructed, cutting in and out at exactly the right moment. Even awkward pauses for added humor are very clear and effective. The rhythm is consistent with a bouncy feel as the script jumps from one storyline to another. The pacing is energetic without coming on too strong, giving the script that slightly slow feel of a spoof-worthy documentary. The use of supers for the characters and labeling the days of the convention is a nice touch to give the movie a suitably pompous kind of feel that fits the genre perfectly.
Many times writers misuse the device of having each paragraph be only one sentence long. This writer really nails the beauty of how to make that work with the scene on page 19 with Mary jumping on her bed. It’s a great flow to give each action it’s own paragraph, creating a visual rhythm for the reader that adds to the scene.
Comedies like this are popular with a very niche audience. The appeal isn’t as wide as perhaps a standard romantic comedy but would work well as a smaller, art house movie. However, it’s well written enough to attract the attention of meaningful talent. It would probably also play very well on the festival circuit, gaining some attention from distributors as well as critical notice.
The writer gives the script a very polished look by using professional formatting throughout. Well done!
The script has great spelling, grammar and punctuation. The writer clearly carefully proofread the script and the effort pays off.
My favorite compliment may have been the formatting/grammar bit. Not really, though. Maybe a little. And “suitably pompous”.
Nicholl 2010: Submitted
ScriptSavvy April: Submitted
Mysterious Director #1: Sent
Mysterious Director #2: Sent
Mysterious Manager: Sent
Family Friend Who Writes on Awesome TV Show: Sent
Mom, friends, internets friends: Sent (If I missed you, holler)
I wanted to have my rewrite of Bible Con and first draft of Dyke for a Day done by Thanksgiving. I also wanted to have a business plan for the former ready for my trip to SC at Christmas. You know, so I could sort of test the waters for raising the money there. So new deadline, Dec. 22. Except I’m working days, nights and weekends.
It would help if my health wasn’t undermining my energy and I was less easily distracted by QI, which is my new favorite thing in the universe.
In other news, I got my feedback from ScriptSavvy, and for the most part the notes are very good. If you really want decent notes on your script, I would send off to them long before I did to Zoetrope or any other script contest. My only complaint is that the notes have a tendency to talk down to the writer, as though they aren’t terribly bright and don’t know anything about screenwriting. I’m sure this comes from an attempt to guess what you can assume the author knows. They don’t appear to have a terribly high opinion.
I got a 48, which is about 5 points off an honorable mention score, and 7 off a win. I guess that means a strong rewrite could be a winner. One thing I really don’t like about the Nicholl is the complete lack of notes, even for the people who advance. That’s true of many contests, but it’s definitely a flaw in the Nicholl and a strength of ScriptSavvy.
Go to 47:55 of this YouTube video to be incredibly impressed by Senator Parker of NY.
I submitted my script to ScriptSavvy way way back in October. Like October 2nd. It didn’t really occur to me that it could be 2 months before I heard anything from this monthly contest. But they say worst case scenario, you find out by the last day of the month after you submit (Nov 30) and you should get your feedback/analysis before that. Which meant that today I should have already have gotten my feedback and would hear the results.
We had hoped that we could announce contest results on time in spite of the holiday, but it looks like Thanksgiving has put us a bit behind.
Those of you who ordered feedback or analysis will be receiving it in the next couple of days.
Results will be announced on the website before midnight on Wednesday December 2nd.
Please accept our sincere apologies for the delay. We are working very hard to make the announcement as soon as possible.
Donna White, Coordinator
No real worries, but dern. You know? It’s fine, it’s a two day delay. But still. It’s not like they didn’t know Thanksgiving was going to happen.