Category Archives: Entertainment
Last night we had our first tech rehearsal for Plan 9, the live theatre production. Wednesday, as in tomorrow yikes, is our preview show for special donors. Then, the show runs Thursday through Saturday night. If you’re in or near Columbia, SC, you should make an effort to attend. It is insanely weird, funny, and fun.
This will be my acting debut. The stage is not really my thing, I am definitely more of a film and TV person. It’s so strange to me, because in multicam TV you’d get the script at the end of the week and then perform it live in front of a studio audience later that week. Rehearsing for months is crazy!
So, I’ve been rehearsing for months, people had better come watch me. I don’t ever do anything for months. And I’m the makeup artist. That’s a lot of work, I tell you, someone had better appreciate it. Have some photos.
Two seemingly unrelated things, right? WRONG!
I am going to Sweden on Monday AND I’ve just recorded Fett’s Vette on the Ukulele. I know. It’s a plethora of goodness. And it’s Tom Keane’s new favorite thing on the internet — if that doesn’t recommend it, I don’t know what could.
In the land of insanely cool things that are happening that I am a part of, there is going to be a live stage production of Plan 9 from Outer Space, one of the best worst movies ever made. AND YOU CAN HELP!
They are trying to raise funds for it on Kickstarter. They’ve raised about $1500 so far, but would like to get double that to be able to make it as awesome as possible and pay the people who are participating.
Even more amusing is the fact that I’m going to be in it. Which is great, considering my theatre experience in its entirety is “I’ve seen some plays”. See my scene at 28:10!
If you can’t afford to donate, you can upvote the link on Reddit to help other people who might donate find it. Although, why can’t you donate five dollars, man!
I give you the 100 Greatest Movie Insults of All Time:
There’s a name for you ladies, but it isn’t used in high society… outside of a kennel.
Supernumerary, a film that showed recently at the Newport Beach Festival and garnered a great review on TFD News, is a 26 minute long short that was produced by an old friend of mine from High School, Alexandra Creswick. Though I call her Alex, but IMDB tells me it’s Alexandra…
1. A brief description of the film itself?
“Supernumerary” tells the story of Sally Nuart, a projectionist that locked herself in a film booth for four years after the loss of her father and completely immersed herself in cinema. One day, an ‘extra’ in the film comes to life and they begin an unlikely romance.
2. Who is the creative team behind it? Do you have “day jobs”? How did you get together initially?
This film is a production of the Wake Forest University Mafia, LA chapter. Just kidding…kinda. The director, cinematographer, and two producers are all WFU grads, and most of us met through some sort of Wake connection.
JS Mayank and I took a screen writing class together at Wake when I was an undergrad and he was getting his first master’s. (We all assumed he was the TA and it wasn’t until a year or so ago that he told me he was a student.) He’s a full-time screenwriter and an adjunct professor of screen writing at Western State College of Colorado.
George Reasner, the DP, is also a WFU grad and we met through one of our favorite professors. He’s a professional cinematographer.
Alex Saks, the other producer, we met through the same professor; she also started the Reynolda Film Festival in Winston-Salem, NC, where we screened a rough cut of the film. She was working with a company called MPower films at the time.
3. How did you find the rest of the team: actors, cinematographer, editor?
We had a casting director, Luis Selgas, who helped us find our very talented actors. In casting, we saw over 200 actors, and narrowed it down to Mckenzie Cowan for the role of Sally, Chris Fore to play the Supernumerary, and Jeff Coopwood for Frankfurt.
The chemistry between the two leads was instant. What appealed to us most about their look, in that they both seemed as if they were from a different era, i.e. they could have very well been in any one of those classic movies…
The director found our editor, Mark Sult, through a mutual friend of his. Once they looked over the footage together, both realized that they had similar visions for the film. They both understood the importance of paying homage to their shared love for cinema, yet keeping the story personal and intimate.
4. How intense was post-production?
Very intense. Probably more intense than the actual shooting of the film, which was more exhausting than anything. The process was long and very precise.
The visual effects which were done by the extraordinary team at Crash+Sues, were the most time-consuming. That took almost six months, since integrating our actor into the pre-existing movies is painstaking work, and making it seemless was pivotal to the story. They were marvelous, and did an amazing job.
Additionally, we had to work very closely with our lawyer, Michael Donaldson. All of the existing footage (from 28 films) is considered Fair Use, and we had to pass very stringent criteria to make sure we were within the bounds of the law. But Michael and his colleagues were endlessly enthusiastic about our film, and supportive through every step of the way.
There were a couple of instances where we wanted to use bits of soundtracks to movies to introduce the clips, but we couldn’t because of copyright issues. But our composer, Antonio Lepore, stepped in and found ways to marry our original score, the original songs, and the films we pay homage to. If you listen to the original music, you can hear themes that are echoed in the music of the clips that follow, and it’s amazing how much of a difference that makes to the feeling of unity we managed to achieve.
5. When was it made, what was the budget, how long did it take to get out to festivals?
6. What festivals have you tried for? Do you have a festival plan?
I took two years from conception to final cut and print. We completed all the sound mixing and corrections in late 2010 and started submitting to festivals for the 2011 circuit.
We tried to pick festivals that our film would appeal to. Each festival has it’s own brand and personality, and we tried to remain conscious of that because we wanted to find the best places to showcase our work. The film is 26 minutes long, which makes it hard to program for festivals that are trying to pack as many shorts as they can into one program. So we knew going in that that would be a challenge, but we made the film we wanted. We did a lot of research as we narrowed down the field.
7. What is the background to the term “supernumerary”?
“Supernumerary” is an old-fashioned way of saying an extra or background actor. It’s primarily used in operas these days; I’ve actually heard it in use a few times in the past couple of years and every time I do I perk up.
8. Future producing plans? Anything else you’ve produced that we’ll be seeing? Anything you want to pimp here…
The writer/director, JS Mayank, is trying to use the momentum of Supernumerary to try and make his feature directorial debut – “THE DEAD WIVES CLUB”, a quaint ensemble British comedy. He’s also had several screenplays optioned and is working on them.
I work for an executive producer who specialize in independent, foreign-financed films, and we have several projects we’re working on at the moment.
I know you all can’t get enough creepy messages, right? So here’s the best of my collection, the greatest message I’ve ever gotten from a complete stranger. Can you handle it? Bolds are mine!
It’s come to my attention that people (women) often say that one of the most fundamental things they are looking for is honesty in a man but since they’ve more than likely never met an honest man they don’t know what to do when they actually confront one.
That having been said let’s see if you write me (an extremely honest man back. Now this writing back deal will require a certain amount of curiosity and gumption and no small amount of an open mind. If you wonder why no honest men it’s because the world is backwards and most of the the time people not only tell you what you want to hear but know what invariably happens when telling the truth…..let’s see:
You would never find a better more honest friend, lover, husband. How do I know that? Because I have two wives and I’m looking for a third. That’s getting the 500 pound gorilla out of the way up front and being honest isn’t it?
What do you suppose type of man I am? One you should avoid or embrace? Well I’m not a dishrag. I appreciate intelligent physically strong females because they make the best babies and I’m all about family and yes I can afford three wives.
Well you have a choice to ignore or explore. I expect everything and ask for nothing. Consequently I’m unable to place you in an akward position. You might just be curious….if so please feel free to write. I won’t bite and you can always use me for a topic of conversation. “I actually correspond with a polygamist from Florida on a regular basis!!!”
Looking forward to your reply……..C. Smith
Ashley Writes Back:
Well, huh. I mean, it’s simply too weird not to respond to, you know? I’ve got to admit, you’re definitely ballsy. Do you just send these out en masse, or did you actually choose to send it to me for some reason?
I’m not really interested, you being over twice my age, married, with kids, and, I’m guessing, religious. But, kudos for being totally straightforward. I’m sure that someone is looking for you, so good luck with that.
You don’t have to respond, but I do wonder if you’ve seen the show Big Love. And what on earth drives you to be so openly polygamist.
He writes back:
Thanks for the reply.
I think on some level it is shocking to be in a position to tell the truth or put another way….in a position to tell society to kiss my ass. But I have structured my life so as not to place myself in a situation where I have to cowtow to others. As an example I can never be excomunicated from the catholic church. I’m not catholic!!! For that reason I’m not a joiner. If you join anything it usually comes with a handbook of rules outlining what they expect from you.
Today’s news is replete with a story about the ex-govenor’s wife and her feelings when he announced to the world that he was gay. (she wrote a book about it) Also there were 70 comments from people explaning their like experiences. I looked at it this way: If he hadn’t lied to her and she hadn’t married the bastard their daughter would never have been born.
I’m an intellectual…we speak five languages between us and number two is half way through her masters in accounting at JU. I wrote you because you have a brain. You’re curious enough to at least write back and you know that any system made by man is for the benefit of man. Women didn’t make the laws against polygamy (we are not religiously driven….just to make that clear, and nothing stops the members of my family from leaving if they want to).
Age means nothing to me (well young girls no – I’m not a pedophile) because if it were important I would think, chronologically, you would be a little young. Yuliya is just turned 27. But I should think it would be more important to know who was in charge of your household (who made the last word final decisions on the important things) your father or your mother. It would be neigh on to impossible no matter how old you are to get along with you if your mother raised you. See that’s more important don’t you think?
Finally to answer your question further about my openess. Nobody really gives ashit what you do unless it impacts them and what I do is a building experience….more family, more intelligent kids, better life style (everybody pools their resources) more fun, more options. Lets say you end up with “Mr. Right” who cheats on you and lies to you and saddles you with obligations that you don’t want. What say do you have because you were following the norm. girl it doesn’t work out for half the people who get married! Be realistic. So why should they care what I’m doing….they don’t. Now they care in Utah because the Mormons (a sect) kicked out the polygamists a hundred years ago in direct opposition to their founder Joseph Smith (who was killed by that time) so they could join the Union. So you could say they sold out and because of that they are so fervently against the other mormons who consider themselves the “real” mormons. I, of course, could care less as I build family.
Perhaps you will write back. Maybe you would like to see what I do in my spare time:
Is their one you like better than the others?
Clayton the Honest